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Plus, its main appeal is listening to the incredibly charismatic and intelligent interview subjects, several of whom are comedians, and extremely funny. It's also a film that wants desperately to be a work of art, but it takes more than black and white cinematography and an affecting central character to bring this off successfully.
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I watched a very small sample of the documentaries at Flare this year, and the two I did see were both good, although I was much more gripped by the creative nonfiction approach of No Ordinary Man than I was the standard documentary Well Rounded. This very short, tender and dreamy film concerns the relationship between sheltered and isolated 16 year-old Claudia Markella Kavenagh , left traumatised and vulnerable after the death of her mother, and Grace Maiah Stewardson , who seeks Claudia out to check on her wellbeing.
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But because the film underplays the tensions and grievances of the Troubles for such a long stretch of its running time, scenes that attempt political profundities are less an acknowledgement of truths that can no longer be shielded from a child than simply intrusive melodrama. How intimate can they get without cheating?
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Intriguing stuff. Their relationship is tentative and awkward at first, but they warm to each other quickly as they talk, share stories, and glean their shared queerness from subtle social cues.
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Skip to primary navigation Skip to main content Skip to footer Orla Smith runs down the best films of BFI Flare and the themes that they kept coming back to. The set-up centres on dad Aharon , beautifully played by Shai Avivi, and his young adult son Uri a thoroughly convincing Noah Imber.
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Still, in a bid for an uplifting ending amid such a cruel world and while that ending is moving and appreciated , the film ends up skimming over some harsher realities. The other was the lovely Boy Meets Boy.
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Rather than agreeing with the soldiers, the film is a challenge to all those who passively accept their role in the machine, calling on them to question the sentences they carry out — as well as those levied against their neighbours. Occupying practically every scene, Patel makes a striking and relatable hero, but he spends much of the time as baffled as the audience is likely to be, for the psychological themes on show are in the end far too vague to be truly thought-provoking.
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Not pushed by streamers. Julie also takes her first steps in the professional film world through vividly realised pop-promo shoots and reuniting with flamboyant filmmaker Patrick, whom she met briefly in the first part.
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Laurel Stewardson Furthermore, it examines the role body image ideals play on mobile dating applications (“dating apps”) for gay and bisexual men. Also note that, at past queer film festivals, other Seventh Row writers have highlighted more films playing BFI Flare that are worth checking out.
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I love every brick and shelf of it. “ You can check out their new site now and tell everyone you know they're open! For writer-director David Lowery tries far too hard at giving us a unique take with 'epic' dimensions - including a mix of ghosts, giants, temptresses and mysterious beasts, with each dream-like detour prolonging Gawain's march to the inevitable showdown and the ultimate test of his mettle and manhood.
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Katie Found's directorial debut follows two sixteen-year-old girls living in the middle of nowhere: quirky, creative Grace (Maiah Stewardson). The various moral dilemmas he faces are portrayed quite well, but then this sequence veers off into a highly improbable resolution which rather ruined it for me.
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